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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION

Shakespeare & Bollywood – Rab Ne Bana Di Jodi explores how Bollywood borrows from Shakespeare’s dramatic universe, as ...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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TWO-CHILD NORM ENDANGERS CHILDREN AND DEMOCRACY

A shocking murder in Maharashtra exposes the dangers of India’s two-child norm, as Population Foundation of Indi...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES

Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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