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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

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LIMERICS AND THE TROUBLED TIMES OF FASCISM

Humra  Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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FILMS WITH TRANSGENDER FOCUS WIN BIG AT KASHISH 2023

Filmmakers from the LGBTQ+ community, specially the Trans* community, feature in awardee list of the 14th edition of KASHISH Mumbai Internation...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED

Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...

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AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

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THE MAGIC OF CHALTI KA NAAM HAI GAADI

Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...

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PAVING THE WAY FOR QUEER INCLUSION IN INDIAN WORKPLACES

Addressing LGBTQIA+ workplace discrimination through inclusive policies, Anurag Kundu, Chairperson DCPCR, launched 3 short films highlighting exclusion in workplaces, repor...

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