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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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FESTIVALS: STRONG SUPPORT FOR QUEER CINEMA AT KASHISH 2025

Held at the Mumbai Press Club, the Kashish Pride Film Festival press conference united filmmakers, activists, and allies in a passionate call f...

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GENDER: OF WOUNDS, WINGS, AND WOMEN

A Journey from Silence to Strength: Monojit Lahiri unfolds a moving, real-life story of a student who transcended society&rsqu...

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KALEIDOSCOPE: RAJ KHOSLA NOW IN WORDS & LITERATURE

A landmark biography by Amborish Roychoudhury, with Raj Khosla’s daughters Anita and Uma, unveils the genius, music, and humanity of a di...

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MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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BOLLYWOOD: IN DÉFENSE OF THE MERCHANTS OF BOLLYWOOD

Glossy or gritty, art or commerce, celebrated or scorned — India’s cinematic juggernaut continues to provoke, inspire, and divide. ...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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