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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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POLITICS: DISTORTING HISTORY AND SPREADING HATE

Textbooks are increasingly misrepresenting with deletions and distortions altering historical facts. This alarming trend, with targeted violenc...

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KALEIDOSCOPE: DISCOVERING MEHAK GOYAL’S POETRY

In an unexpected journey from skepticism to admiration, Shantanu Ray Chaudhuri explores Mehak Goyal’s evocative poetry. ...

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FESTIVALS: ZAIKAK IN SEARCH OF THE BEST MAHARASHTRIAN THALI

“I think it would be impossible to search for the best Maharashtrian Thali in Pune because Thalis are culture or ‘sanskriti‘ ...

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POWERFUL PEOPLE: LOVE (FOR THE CRAFT) CONQUERS ALL

‘I went through so many rejections that I can't remember,’ says Tanha Farmin Rezi, a cinematographer from Assam, in Bollywood. Read More

BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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FESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!

The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...

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FESTIVALS: NANAD BHABHI TAKE UP THE CHALLENGE SAYS ZAIKAK

Homemakerz has achieved a reasonable retail turnover every month, in Mumbai, Pune, Goa, and Gujarat, and the good thing is that their online sa...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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