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Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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The Soul Of Hindustan

Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains ...

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NO LIMITS

Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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DO THE RIGHT THING

Khalid Mohamed in conversation with Anil Kapoor on his evolution as an actor, who’s at the peak of his career today.

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Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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