Search Result

Search Result

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

Read More

Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

Read More

Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

Read More

‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

Read More

Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

Read More

ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

Read More

A COUNTRY CALLED CHILDHOOD: A MEMOIR

BOOK REVIEW: Actor Deepti Naval’s journey into her childhood is one from the heart, funny and moving in the same breath. Shantanu...

Read More

The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

Read More

A Book Definitely For Keeps

Monojit Lahiri’s take on Dadamoni: The life and times of Ashok Kumar by Nabendu Ghosh.