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More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

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Signs of the time: The vacuum

Humra Quraishi imagines what it would be like if India is to have a ministry of loneliness and leaves you to ponder over a bea...

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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Photo Essay: Your Magic Glasses

The ongoing global COVID-19 pandemic is an eye-opener for thousands of people across the world, writes <...

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Lights! Action! Politics

While the coronavirus rages on, Khalid Mohamed checks o...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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To the country into which we were not born

“Twenty minutes ahead in the greatest terrorist attack of the year” – was Arnab Goswami&rsquo...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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Queen of OTT: Radhika Apte

Radhika Apte clearly outpaced all her competitors and peers in the OTT space to top the Indian Institute of Human Brands (IIHB) Report just rel...

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