CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28^th Ma...

FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!

Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

THE BURDERNED OF TRUTH ON SILENCE

I’m writing this column in the backdrop of the film, The Kerala Story. It is not just controversial, it can polarise and divide, writes <...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...