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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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BOLLYWOOD: FLASHBACKING WITH CHAUDVIN KA CHAND!!

Around two decades ago, Monojit Lahiri met the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand...

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KALEIDOSCOPE: PUJA SHAH’S “FOR MY SISTER” BREAKS THE CHAINS OF SILENCE

Puja Shah’s For My Sister explores global issues of trafficking, gender violence, and poverty through the story of twin sisters ...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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THOUGHT FACTORY: THE ETERNAL SEARCH OF THE ARTIST

The timeless journey of artists like Mahesh Bhatt and Nadira Babbar, rediscovering their roots and purpose over again in an ever-evolving world...

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ALTERNATIVE ENTERTAINMENT: SONGS AND TRUTH OF SATYAKAM

Exploring how Hrishikesh Mukherjee's Satyakam uses songs to deepen emotional connections, address moral dilemmas, and reflect the soci...

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GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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ALTERNATIVE ENTERTAINEMNT: LESSONS FROM ORIGIN AND I AM A NOISE

From caste to race, inequality fractures humanity; love and action offer the only path to emotional survival and a truly equitable future. If w...

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