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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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A Sip of Georgia

Vandana Kumar reminisces about her visit to Georgia where she discovered that it is the country where wine originated. Unlike in France, which has a tradit...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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Valentine’s Day: Ishqbaazi or Dramabaazi

Monojit Lahiri investigates what this day of ‘love, Valentine’s Day, means to people at large. He asks, “Dif...

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STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

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