KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

IS THE SLOGAN DYING?

Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future.

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

THE ZEN NOT REACHED

Neil Banerjee looks at the Government’s vehicle scrapping policy, odd-even policy to fight pollution in Delhi, and demon...

THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

MASKS ON, CARRY ON

Dr Kishore P. Madhwani writes on how not to worry and combat the possibility of the spread of the new COVID variant BF.7.

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...