Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

Lata Mangeshkar: In her own voice

Humra  Quraishi revisits the book, ‘Lata Mangeshkar… in her own voice: Conversations with Nasreen Munni...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

Welcome to the ‘Young Collectors’ Weekend’!

Indian millennials are a force to be reckoned with, writes Teesta Bhandare, while introducing readers to the online art festiv...

Hey Guys, give brand LOVE a chance!

Catalyst, hidden persuader or gentle, deceptive brand statement, LOVE, Monojit Lahiri insists, is much more than a 4-letter wo...