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Bully Bai and the mainstreaming of hate

Humra  Quraishi questions hate politics and the utter disregard for the Constitution of India by the fringe that is being...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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Kitu Gidwani: Distinctly Yours!

Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well...

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My Mother’s Girlfriend Wins Big!

Marathi film ‘My Mother’s Girlfriend’ wins the Best Short Film award at the International Documentary and Short Film Festival...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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All about Eve: A History of the Hindi Film Heroine

All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...

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Chidananda Dasgupta

Monojit Lahiri writes about Chidananda Dasgupta - his birth centenary was celebrated through a 2-day event on November 20...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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