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Cheeni Kam: What is Cheeni, What is not?

Most Indians - up to 84% don’t want celebrities to endorse Chinese Brands. But do they know whether they&...

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Admitted

Ojaswwee Sharma’s award Winning Feature Film – a Docu-drama about Transgender Education Rights was released yesterday, 13th June 20...

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Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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Solace: In the time of the Coronavirus

Abhinav Krishan, a New Delhi corporate executive, writes on why he fled to the hills close to Dehradun, to commune with nature...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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Across the Border: Mammo

Khalid Mohamed recalls how he wrote the real-life story and screenplay of the National Award-winning film, Mammo, now accessible on YouTube and...

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