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Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

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Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

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FLASHBACK TO FORWARD

Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK R...

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SAFELY NAVIGATING THE FOURTH SURGE

Dr Kishore Madhwani responds to questions as cases of COVID-19 have been skyrocketing in the country over the last two weeks.<...

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KASHISH 2022: Now Online!

South Asia’s biggest LGBTQ+ film festival is screening 184 films from 53 countries online

After a ve...

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Walk in, walk out

Film historian Dhruv Somani, writes on Bollywood’s ceaseless dilemma of wasteful changes in the cast of actors because o...

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Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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DEVDAS: The Many Incarnations!

Aparajita Krishna visits Sarat Chandra Chattopadhyay’s Bengali novel published in 1917, but said to have been written in...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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