PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

ALL ABOUT FRIENDSHIP

Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of...

JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

RHYTHM’S CHOSEN CHILD

Here Sharada Ramanathan goes back and forth in time to understand the towering Tabla maestro Ustad Zakir Hussain’s geniu...

A NOT SO QUIET PICTURE

Humra Quraishi questions the deliberate seeding of hate among different communities in India, which have lived in harmony for ...