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FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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KALEIDOSCOPE: PUJA SHAH’S “FOR MY SISTER” BREAKS THE CHAINS OF SILENCE

Puja Shah’s For My Sister explores global issues of trafficking, gender violence, and poverty through the story of twin sisters ...

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THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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SUSTAINABLE DEVELOPMENT: EMPOWERING VOICES IN KASHMIR

Empowering Kashmiri women through education, skill training, and One Billion Rising, Anhad’s community-driven movement promotes gender eq...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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KALEIDOSCOPE: NOSTALGIA AND THE TRAIN TO TAIWAN

Sometimes a short story, sometimes a travelogue, this nostalgic journey aboard the Pushpak Express by Sharad Raj captures an u...

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BOLLYWOOD: BOLLYWOOD’S LYRICAL JOURNEY....

Yesterday, heartfelt. Today, heartattack!! Monojit Lahiri investigates the lyrical shift in Bollywood, exploring how soulful p...

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THOUGHT FACTORY: IN MEMORY OF HUMRA QURAISHI

Celebrating the life of Humra Quraishi: A fearless journalist, compassionate storyteller, and relentless advocate for Kashmir and marginalized ...

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GENDER: WHY INDIAN MEN AVOID HOUSE WORK??

Mammas boys? Traditional/generational conditioning? Lazy? Mardangani? Monojit Lahiri examination controversial question about ...

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