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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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ALTERNATIVE ENTERTAINMENT: CINEMA, LITERATURE, MYTHOLOGY & INCEST

Exploring the complex theme of incest in mythology, literature, and cinema across cultures, highlighting its influence on art, storytelling, an...

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THOUGHT FACTORY: BOMBAY IN THE ARMS OF THE NIGHT 2.0

Sharad Raj remembers the vibrant yet gritty nights of 90s Mumbai, reflecting on its transformation from a city of contrasts to...

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ALTERNATIVE ENTERTAINMENT: A TALE OF TWO VINAY SHUKLAS

Vinta Nanda finds out about the artistry of two Vinay Shuklas, independent filmmakers with distinct voices – one Bollywo...

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POLITICS: PRISON CONDITIONS IN INDIA - DOCUMENTARY AFTER THE STORM

Exploring the harsh realities faced by those unjustly imprisoned in India, their struggles for survival, Humra Quraishi writes about th...

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POLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP

"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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