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ALTERNATIVE ENTERTAINMENT: REMEMBERING RITUPARNO

Gone but forever remembered is Bengal’s – and India’s – late and classy filmmaker Rituparno Ghosh. On his 12th death an...

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KALEIDOSCOPE: TO A TEACHER WITH LOVE & MUCH MORE…

A rich festschrift honouring Prof. GJV Prasad, celebrating his transformative impact on English literary studies in India through essays spanni...

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TRENDING: CINEMA'S DEFINING DECADE OF THE SEVENTIES

"Join me, one of the contributing writers, as I interview the editors, also curators, of 'The Swinging Seventies,' diving deep into the decade'...

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BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?

In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...

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MOVIES: URBAN TALE OF CASTE BIASES

Prithvi Konanur's 2023 release, "Hadinelenthu", masterfully unveils the deep-rooted caste biases within the educational system and beyond, writ...

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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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