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POWERFUL PEOPLE: PATHBREAKING JOURNEY OF STORYTELLING VISION
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KALEIDOSCOPE: WHY DON’T THEY GET IT?!
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POWERFUL PEOPLE: FROM CRIME REPORTING TO FICTION
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POLITICS: INNOCENCE LOST IN A BARBARIC WORLD
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GENDER: A SHAKEN CITY AND NATION
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BUSINESS: PEOPLE DON’T BUY FROM CLOWNS...!
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FESTIVALS: SMALL WITH A BIG HEART!
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POLITICS: THE DISTURBING RISE OF LYNCHING
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GENDER: CIVIL SOCIETY DEMANDS KERALA FILM REFORMS
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THOUGHT FACTORY: CELEB SOUNDBYTES AND HUMAN TRAGEDIES
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BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s
It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...
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MOVIES: CINEMATIC GEMS OF INDIAN ART HOUSE FILMS
In the vast landscape of Indian cinema, a realm beyond the glitz of mainstream Bollywood exists - one where storytelling transcends mere entert...
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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO
Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...
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REMEMBERING THE UNFORGETTABLE SMITA PATIL
Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...
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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED
“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...
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MUJIB: THE MAKING OF A NATION
The much-anticipated biographical epic delves into the life of Sheikh Mujibur Rahman, the towering political figure of Bangladesh. &ldquo...
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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES
‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...
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THE HRISHIDA I REMEMBER…
Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...
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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...
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