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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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WOMEN RESISTING POWER IN INDIA

This Women’s Day, Vinta Nanda looks out for women in India resisting food capitalism, environmental destruction ...

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MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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FESTIVALS: A JOURNEY FROM ARGENTINA TO INDIA

Art often travels before we do, crossing landscapes, languages and lived experiences, forming bridges where maps would show oceans — Read More

GENDER: LIVING ALONE, FINDING INNER STRENGTH

AkelaNest by Aparajita Krishna: A reflective, deeply personal exploration of single living and ageing in India today, AkelaNes...

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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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