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BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

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BOLLYWOOD: FEAR AND A MOTHER'S RAGE ONSCREEN

Kajol leads a chilling tale of myth and motherhood in Maa, a supernatural thriller where folklore, family, and fear collide—yet ...

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FESTIVALS: OF MUSIC, MEMORIES AND MUSICAL MEMORIES

Music weaves memory, emotion, and meaning into life’s quietest and loudest moments. On World Music Day, Shantanu Ray Chaudhuri Read More

GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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TRENDING: MAGICAL RENAISSANCE OF MALAYALAM CINEMA

A deep dive into Malayalam cinema’s renaissance through V.K. Cherian’s lens, exploring Noon Films, the A-Team of filmmakers, and th...

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ALTERNATIVE ENTERTAINMENT: GOUTAM GHOSH’S BOLD PRAYER

Goutam Ghosh’s Parikrama redefines progress, blending conscience with craft to expose the human cost of modern development and displaceme...

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FESTIVALS: A TRIUMPHANT INAUGURAL START FOR GAFF

The inaugural Guwahati Asian Film Festival showcased cinematic excellence, encouraging cultural exchange and dialogue while paving the way for ...

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KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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POWERFUL PEOPLE: THE FAALTUGIRI TOUR

Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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