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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

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THOUGHT FACTORY: MEMORIES OF A LEGEND

Remembering Shyam Benegal: A visionary filmmaker who redefined Indian cinema with his pioneering stories, humility, and unwave...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

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SHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES

Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see t...

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