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TV: WHEN FRAGRANCE BECAME THE TEACHER

In its first edition, Surabhi Diaries by Suhail Tatari revisits the beloved 1990s TV phenomenon Surabhi, cap...

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POWERFUL PEOPLE: WHEN OPPORTUNITIES KNOCK

Khalid Mohamed interviews film, theatre and web series actor, Soni Razdan who’s back in the limelight, with a searing pe...

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POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY

Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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ALTERNATIVE ENTERTAINMENT: DELHI’S OWN THEATRE FESTIVAL

The second Triveni Theatre Festival in Delhi celebrated diverse theatrical performances, from classic adaptations to experimental productions, ...

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RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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