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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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BOLLYWOOD TIK-TALK: MAMATA BANERJEE IN THE SPOTLIGHT THIS WEEK

Bollywood stars grace the inaugural ceremony stage at the Kolkata International Film Festival, Alia Bhatt tells Rajkummar Rao she’s spent...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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THE RETURN OF BONG-SHELL BIPASHA!

Monojit Lahiri investigates the rise and fall of Bipasha Basu, and a much anticipated come-back of the sizzling hot star on OT...

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THE STORYTELLERS AND MUCH MORE

“Powerful words of two stellar artists, Zen Dot and Dini Parayitam, have stitched together this fabulous interview, which clearly mirrors...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED

Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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