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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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THROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART

Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

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#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

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