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RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID

Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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SUSTAINABLE DEVELOPMENT: NATIONAL CONFERENCE ON PRACTICE BASED RESEARCH

Two days National Conference on “Practice Based Research in Social Work and Research Ethics” was organized by the Internal Quality ...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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THE GENTLE HEART

Khalid Mohamed pens a tribute to the peerless artist, printmaker and art teacher Lalitha Lajmi, who passed away last Monday. Read More

Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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