PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

A SUITABLE MAN

Khalid Mohamed’s freewheeling chatfest with Saif Ali Khan, on his change-over from being ‘flighty’ to becomi...

YESTERDAY ONCE MORE

Khalid Mohamed rewinds to his conversations with his all-time favourite, Sridevi, whose fourth death anniversary is today...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...