RAJ KAPOOR AND MY SON

Raj Kapoor’s 99^th birth anniversary was on the 14^th December. Kamlesh Pandey recalls the influence...

A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

PREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…

I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...

SHAMIR TANDON: MAKING MUSIC & INNOVATIONS!

Aparajita Krishna talks to Shamir Tandon, who has heard, seen, faced music (smiling emoji) from both behind-the-scenes busines...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...