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Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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Business and Politics

THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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Business and Politics

DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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Kaleidoscope

STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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Festivals

A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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Bollywood

DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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Festivals

DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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Gender

A TEST OF GLOBAL CONSCIENCE

A global outcry rises as the Taliban formalise domestic violence within law, drawing condemnation from Population Foundation of India and activ...

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Powerful People

WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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Powerful People

POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER

Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...

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