THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

A MAN EXTRAORDINAIRE: ARUNBHAI GANDHI

She worked with him for twenty years and he remained a friend till his last days. Saroj Satija remembers Arun Gandhi in this t...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

The Ghost of Flaherty

Thinking in retrospect, it is most likely that it was during the shooting of this sequence that the ghost of Robert Flaherty started to hover around me, writes Ramchandra P...

A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.

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