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Powerful People

FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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Powerful People

NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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Powerful People

PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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Bollywood

VADH 2 EXPLORES JUSTICE AND AGING

Crime, Conscience, and Companionship in the Twilight Years: Arnab Banerjee.
Jaspal Singh Sandhu’s Vadh 2 examines ...

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Kaleidoscope

ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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Bollywood

MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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Bollywood

JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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Alternative Entertainment

WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE

An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...

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Festivals

ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM

Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...

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Bollywood

REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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