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ALTERNATIVE ENTERTAINMENT: A DEEP DIVE INTO THE SOUL OF CLAY

Kaul’s films were revelations even when the themes were well-known and had ancient roots, like dhrupad and pottery. He avidly hunted for ...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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EMBRACING THE RADIANCE: DIWALI’S ILLUMINATION OF INCLUSIVITY AND LIBERAL VALUES

In the kaleidoscope of cultural celebrations, Diwali stands out as a beacon of light, unity, and diversity, reports The Daily Eye #News...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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Art Passion

Khalid Mohamed in conversation with poet-photographer-artist, Amit Kumbhar, for whom art counts way more than fame or mon...

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The Forgotten One

Film historian Dhruv Somani writes on the curious case of Marc Zuber, who had featured in Bollywood and international films. Read More

Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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