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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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ALTERNATIVE ENTERTAINMENT: GIRL, INTERRUPTED BUT UNCOWED

Varsha Bharath’s Bad Girl is a bold, witty, and layered Tamil coming-of-age film that examines a young woman’s chaotic journey of l...

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FESTIVALS: SHISHIR SHARMA SHINES WITH TRIUMPH

Veteran actor Shishir Sharma wins Best Actor for Kuch Sapney Apne at DCSAFF, Washington DC, marking the film’s twelfth internati...

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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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BOLLYWOOD: SAME OLD LOVE STORY RETURNS

North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

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BOLLYWOOD: SARZAMEEN FAILS TO RISE

Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...

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