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ALTERNATIVE ENTERTAINMENT: MUSIC OF THOUGHT AND IMAGINATION

It is Kumar Shahani's Khayal Gatha (The Saga of Khayal), a 1989 Indian experimental film written and directed by Kumar Shahani, that O....

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KALEIDOSCOPE: FIVE BOOKS YOU MUST READ BY UTPAL DATTA

In my recent reading journey, each of the books here emerged as beacons and illuminating facets of self-discovery and intellectual pilgrimage, ...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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I MAKE REGIONAL CINEMA THAT RESONATES WITH GLOBAL AUDIENCES: DISHA BHARDWAJ

Vinta Nanda gets in conversation with Disha Bhardwaj, a young filmmaker, whose first film Chupi Roh is selected to screen at t...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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LIMERICS AND THE TROUBLED TIMES OF FASCISM

Humra  Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...

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FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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A FERRIS WHEEL GOING AROUND

Humra  Quraishi questions the mindless lynching’s of Indian Muslims on mere suspicion of the carrying beef, althoug...

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

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