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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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SUBHASH CHANDRA: THE MAN BEHIND ZEE

At Essel Group’s centenary celebrations, Vinta Nanda revisits Dr Subhash Chandra’s remarkable journey with Zee Network, Read More

DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

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FILMING MEMORY THROUGH PERSONAL LANDSCAPES

In this exclusive interview with Utpal Datta, filmmaker Vikram Kumar reflects on memory, grief, migration, belonging, autobiog...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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