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Bollywood

BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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Festivals

FESTIVALS: LQBTQ NARRATIVES IN REGIONAL CINEMA

Filmmakers from Karnataka, Manipur, Himachal Pradesh, Gujarat at KASHISH 2024. Jeo Baby, Rohit Prajapati, Kling Johnson, Priyakanta Laishram, D...

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Festivals

FESTIVALS: IS MOM YOUR BEST FRIEND?

On Mother’s Day, Monojit Lahiri  chooses a provocative and informative path - he explains why a little distance kep...

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Kaleidoscope

KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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Kaleidoscope

KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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Business and Politics

BUSINESS: THE MANUFACTURED KISS

It’s Sohaila Kapur today, in conversation with Neha Vyaso, an Intimacy Director in Bollywood. “She’s the fir...

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Business and Politics

POLITICS: ALL IN THE NAME OF GOD

Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...

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Bollywood

MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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Powerful People

POWERFUL PEOPLE: THE POET IMPRESSIONIST

On the occasion of the 58th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...

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Powerful People

POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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