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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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Divya Dutta & Arunaraje Patil Announce KASHISH

The 13th edition of KASHISH Mumbai International Queer Film Festival was announced by National Award winning actress Divya Dutta, National Awar...

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Dazzling Array Of Indian LGBTQ+ Films at KASHISH

30 Indian LGBTQ+ films to be screened at Liberty Cinema from June 1-5, 2022, reports The Daily Eye Newsdesk 

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Kicking off pride month at Liberty Cinema on June 1st

South Asia’s biggest LGBTQIA+ film festival, KASHISH 2022, will screen 184 films from 53 countries in its hybrid festiva...

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Grandma Dearest

Film historian Dhruv Somani pays homage to the uncanny life and career of Leela Mishra, the ever-lovable grandma of Indian cin...

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