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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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RETROSCOPE: LOVE, FRIENDSHIP AND TRAGEDY

Khalid Mohamed rewinds to the extraordinary but forgotten story of  yesteryear’s actor Shyam, a major star actor wh...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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ALTERNATIVE ENTERTAINMENT: DELHI’S OWN THEATRE FESTIVAL

The second Triveni Theatre Festival in Delhi celebrated diverse theatrical performances, from classic adaptations to experimental productions, ...

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ALTERNATIVE ENTERTAINMENT: GOUTAM GHOSH’S BOLD PRAYER

Goutam Ghosh’s Parikrama redefines progress, blending conscience with craft to expose the human cost of modern development and displaceme...

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