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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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REMEBERING BOLLYWOOD’S SEXIEST REBEL-STAR!

Junglee, Janwar, Budtameez, Bluff Master, Pagla Kahin Ka, Fan-boy Monojit Lahiri pays tribute to Bollywood’s flamboyant ...

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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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A Book Definitely For Keeps

Monojit Lahiri’s take on Dadamoni: The life and times of Ashok Kumar by Nabendu Ghosh.  

BEHIND THE STARDOM IS AN IGNORED ACTOR

True or False, asks Monojit Lahiri who’s in an investigative mood today!

It was som...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

The Unending Tragedy

Humra Quraishi views the conditions prevailing for the convicted and undertrials in Kashmir through the lens of writings about...

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Star! Music Director! Singer!... Lyricist.

Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...

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