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MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

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RETROSCOPE: WHEN MELODY WAS KING

His lovingly built bungalow, Ashiana, on the Bandra seafront has survived the encroachments of real-estate sharks of sky-high towers. And despi...

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ALTERNATIVE ENTERTAINMENT: TWO RIVERS, ONE JOURNEY

Celestina and Lawrence explores post-demonetization India through the intertwined lives of two tribal migrants, looking at urban alienation, id...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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FESTIVALS: CELEBRATING TRANSGENDER DAY OF VISIBILITY

Transgender Day of Visibility, observed on March 31st, is dedicated to celebrating transgender people and raising awareness of the discriminati...

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TRENDING: A REQUIEM FOR A LOST CHILDHOOD

A deep reflection on communal harmony, personal memories, and the fading Ganga-Jamuni culture of Lucknow in today’s divisive times—...

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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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GENDER: A CELEBRATION OF IDENTITY, AND STORYTELLING

A powerful gathering of women writers, critics, and storytellers deep diving to literature, cinema, and authorship—exploring identity, my...

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FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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