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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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FESTIVALS: KAI DEBENEDICTUS’S FILM UNITES GENERATIONS

At WIFF Mumbai’s sixth pre-festival screening, 17-year-old Kai deBenedictis premiered Roots Across Continents, blending personal heritage...

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RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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BUSINESS: TOTTENHAM SURVIVE, TRIUMPH, AND RISE

Tottenham Hotspur’s 2024/25 campaign was a dramatic clash of despair and triumph—scraping through Premier League survival while cli...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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KALEIDOSCOPE: TO A TEACHER WITH LOVE & MUCH MORE…

A rich festschrift honouring Prof. GJV Prasad, celebrating his transformative impact on English literary studies in India through essays spanni...

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