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FILMMAKER PANKAJ BORA ON REALITY

“The reality is always richer than fiction” — says filmmaker Pankaj Bora to Utpal Datta. An...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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