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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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The King & I!

Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi whe...

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A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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Unusual suspects

Film historian, Dhruv Somani, re-assesses the nail-biting murder mystery Khamosh made by Vidhu Vinod Chopra, way back in 1980s...

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Sign of the times: This is the darkest hour

Humra  Quraishi revisits her conversations with Saira Banu and Khushwant Singh, both of whom had predicted that the times...

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Mohomaya Chapter 2

Shantanu Ray Chaudhuri: Chapter 1 of Mohomaya, a first-of-its-kind psychological/horror experience for a Bengali OTT platform, was skating on thin ice from...

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Those hidden thrillers!!

Film historian Dhruv Somani, checks out the engrossing thrillers of the 1970s, which went under the cracks since they flopped....

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Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

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