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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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IPTA AT 84: RESISTANCE THROUGH THEATRE

Prof. Dr. Avinash Kolhe reflects on IPTA’s 84th year celebrations, tracing its extraordinary legacy of political theatre...

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BOLLYWOOD LEGACY THROUGH PHOTOGRAPHS

The exhibition that opened on 1st May 2026 at the National Gallery of Modern Art [NGMA] is ‘not-to-be-missed’ as it celebrates Boll...

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THE STING BEHIND BOLLYWOOD PAPARAZZI

Khalid Mohamed, without being judgmental, reports on the love-hate relationship of the celebrities and the paparazzi – a...

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105 CHEERS FOR SATYAJIT RAY

Celebrating Satyajit Ray’s 105th Birth Anniversary: Never in the annals of Indian film history has any single filmmaker, before or since,...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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