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PRATIBIMBA: MARATHI THEATRE’S SPIRIT

As the fifth edition of Pratibimba Marathi Natya Utsav concluded at the NCPA, Prof Dr Avinash Kolhe reflects on four days of p...

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DR BHALERAO THEATRE LEGACY REMEMBERED

The Legacy Of Dr Bhalerao Lives On as Prof. Dr. Avinash Kolhe reflects on theatre, medicine, and institution-building, tracing...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS

Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? M...

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HEINER GOEBBELS’ ORACLE MACHINE MUMBAI

At Great Eastern Mills in Mumbai, German composer and artist Heiner Goebbels unveiled The Oracle Machine, a mesmerizing installation of light, ...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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