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Retroscope

AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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Powerful People

PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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Kaleidoscope

ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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Gender

GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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Powerful People

POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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Thought Factory

THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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Hollywood

HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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Bollywood

BOLLYWOOD: TRIUMPH THAT OUTLIVES THE WAR

A reflective, humanist reading of Sriram Raghavan’s Ikkis, Arnab Banerjee examines war beyond valor, locating memory, gr...

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Bollywood

BOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO

Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic ...

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Thought Factory

THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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