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Gender

INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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Human Rights

MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

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Alternative Entertainment

ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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Bollywood

BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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Thought Factory

AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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Alternative Entertainment

THE REBEL WITHOUT A...PAUSE

Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul...

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Powerful People

NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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Bollywood

BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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Bollywood

DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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Thought Factory

MOTHER DAUGHTER BOND AND CHANGING DYNAMICS

Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? M...

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