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RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

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BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

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POLITICS: BACKLASH ON DEI AND INTELLECTUAL INEQUALITY

As right-wing governments dismantle Diversity, Equity, and Inclusion, they push societies into intellectual and economic stagnation while the p...

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ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

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BOLLYWOOD: 75 YEARS OF NAVKETAN…A BRIEF HISTORY

Celebrating 75 Years of Navketan Films: A Legacy of Cinematic Brilliance, Sibling Bonds, and Creative Rivalries That Shaped Indian Cinema&rsquo...

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FESTIVALS: IS MOM YOUR BEST FRIEND?

On Mother’s Day, Monojit Lahiri  chooses a provocative and informative path - he explains why a little distance kep...

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FESTIVALS: IT’S WORLD HERB DAY ON 6TH MAY

The Prophet remarked that eating lentils fills the heart with sympathy, brings tears to the eyes, and eradicates pride, suggesting a profound i...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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2023: NOT SO MANY REASONS TO CELEBRATE!

 

In her final column of 2023, Humra Quraishi looks back at the year for events we s...

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