The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later.

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...